Die Cast Aluminium Virtual LED Display For XR Film Studios

LED displays for Virtual Production, XR and Film Studios

P1.5 Virtual Production LED Display – Studio-Grade In-Camera VFX Solution

Product Overview

The P1.5 Virtual Production LED Display is a studio-grade, cinema-optimized LED panel purpose-built for XR stages, virtual production volumes, and broadcast studios. With a fine 1.5mm pixel pitch, this display delivers the resolution and camera-compatibility required for In-Camera VFX (ICVFX) – enabling filmmakers to capture final pixels directly on set, eliminating the need for green screens and extensive post-production.

From Sony's European XR studios to Toei's 270° Tokyo volume and LG's Englewood Cliffs facility, P1.5 has become the working standard for premium virtual production. Whether you are building a curved main wall, a ceiling panel, or a full 270° surround volume, our P1.5 display panels provide the precision, reliability, and visual fidelity that top-tier productions demand.

Custom Attributes

To help studios and production houses quickly match their specific requirements, our P1.5 Virtual Production LED Display supports the following customizable attributes:

Customization Note: We offer full customization including screen size, resolution, cabinet quantity, shape configuration, and integration with industry-standard ecosystems (Unreal Engine, Disguise, Brompton, Mo-Sys, etc.). Contact our engineering team for a tailored solution based on your studio dimensions and production requirements.

Industry Pain Points

Virtual production LED displays face a unique set of technical challenges. Below are the most critical pain points addressed by our P1.5 solution:

 1. Heat Buildup & Thermal Management

High-brightness LED walls generate significant heat during extended shooting sessions. Traditional ceiling screens, with their enclosed structures, cannot dissipate heat effectively, leading to:

• Accelerated LED chip aging and increased luminance decay

• Color coordinate shifts and unstable brightness output

• Significantly higher failure rates (dead pixels)

• Compromised image quality and color fidelity required for virtual production

 2. Flicker, Scan Lines & Rolling Shutter Artifacts

When shooting with cinema cameras at high frame rates, low-refresh-rate LED walls produce visible flicker and scan lines. Flicker cannot be removed in post-production and typically renders the footage unusable. A minimum refresh rate of 7,680Hz is required for flicker-free capture, yet many displays fail to meet this standard.

 3. Moiré Patterns & Pixel Visibility

At close shooting distances, LED displays are prone to moiré patterns and visible pixel structure. A P1.9 wall that looks perfect to the human eye at 4 metres may show pixel artifacts when a cinema camera uses a long lens at full resolution. For premium XR productions, P1.5 or finer is the working standard.

4. Color Distortion & Poor Skin-Tone Reproduction

LED panels with limited color gamut produce:

• Unnatural skin tones (often too pink or too orange)

• Metamerism failure on props and costumes (color shifts)

• Inconsistent color between the LED wall and physical set elements

 5. Multi-System Synchronization Latency

Virtual production involves seamless coordination between servers, graphics cards, tracking systems, camera systems, and more. Delays or desynchronization between systems directly undermine the real-time "in-camera VFX" experience.

6. Screen Reflections & Glare

Screen reflections during shooting significantly impact image quality. The display must have zero flicker and minimal glare during filming, demanding an extremely high-quality surface treatment.

Key Features

1. Fine Pixel Pitch (P1.5) – Premium Resolution for Close-Range Shooting

With a 1.5mm pixel pitch and pixel density of 409,600 points/m², our display delivers ultra-fine detail that remains invisible even when cinema cameras are positioned close to the screen. Sony's Crystal LED B系列 and AOTO's RM1.5 series have demonstrated that P1.5 is the industry benchmark for premium XR productions.

2. Ultra-High Refresh Rate (7,680Hz+) – Flicker-Free Camera Capture

Standard refresh rate of 7,680Hz ensures absolutely no scan lines or flicker visible to the camera – even during slow-motion shots. This enables cinematographers to shoot at any frame rate without compromising image quality.

3. Cinema-Grade Color Reproduction – 98% DCI-P3 & 16-Bit Grayscale

Achieving 98% DCI-P3 color gamut coverage with 16-bit grayscale depth delivers breathtakingly smooth gradients and ensures virtual environment colors perfectly match the director's creative intent. Combined with HDR10 support and 3D LUT calibration, our displays meet the demanding grading pipelines of Hollywood productions.

4. Anti-Moiré Technology – Zero Pattern Artifacts

Advanced anti-moiré design ensures absolutely no interference patterns are visible to the camera, even during close-range, high-resolution capture. This eliminates the need for extensive post-production cleanup.

5. Ultra-Wide Viewing Angle (≥170°) – Total Creative Freedom

Viewing angles of ≥170° horizontally and vertically ensure consistent brightness and color from any camera position. This allows production teams maximum flexibility in shot composition and camera movement.

6. Genlock Support – Perfect Synchronization

Full Genlock support ensures the LED wall, camera shutter, and tracking data are all phase-locked for a tear-free, perfectly synced composite image. End-to-end frame delay is maintained at ≤3 frames for seamless integration with real-time rendering engines.

7. Modular & Flexible Design – Custom Volume Configurations

Modular cabinet design supports flat walls, curved walls, 270° surround volumes, U-shaped setups, and ceiling panels. Lightweight construction and modular rigging support complex installations without compromising structural accuracy.

8. High Brightness (100–2,000 nits) – Realistic Environmental Lighting

Adjustable brightness from 100 to 2,000 nits allows the LED wall to function as the primary light source for the scene, casting dynamic, realistic reflections and shadows on actors and physical props. This eliminates the flat, unnatural look associated with green screen spill.

9. Front Maintenance – Zero Space Waste

Full front-maintenance design – modules can be replaced directly from the front. No rear access corridor required, saving valuable studio space and reducing maintenance time and costs.

10. Low Power Consumption – Sustainable Operation

With average power consumption as low as 180W/m² and peak consumption of 600W/m², our P1.5 displays offer energy-efficient operation suitable for extended shooting sessions.

Key Advantages

1. "What You See Is What You Get" – Real-Time Creative Feedback

Unlike green screens, LED volumes allow directors and actors to see the final environment during filming. Directors receive instant visual feedback on set, dramatically reducing post-production work.

2. Drastically Reduced Post-Production Costs

By capturing final pixels on set (In-Camera VFX), studios save thousands of hours and millions of dollars in compositing, keying, and rotoscoping work. Scene changes take minutes – the same studio can shoot multiple different "locations" in a single day.

 3. Significant Cost Savings

• No location travel – eliminate cross-country or remote shoots

• Zero accommodation/travel expenses – the team stays in one place

• Reduced set-building time – virtual scenes switch instantly

• Easy reshoots – reload the same virtual world with a few clicks

 4. The LED Screen Is the Light Source

While displaying the digital environment, the LED screen also provides natural, realistic illumination. The entire volume acts like a giant softbox – reducing the need for extensive additional lighting equipment, lowering equipment costs and setup time.

 5. No Green-Spill & More Natural Reflections

LED volumes completely eliminate common green-screen issues:

• No greenspill – green colour contamination is gone

• Real reflections and shadows on actors come directly from the LED panels

• More natural skin tones and material rendering

 6. Scalable & Relocatable

LED screens are modular, portable, and expandable. The volume can be flexibly adapted or reconfigured for different projects – a future-proof long-term investment.

 7. Industry-Proven – Deployed in World-Class Studios

Our P1.5 displays are engineered to the same standards as those deployed in:

• Toei's 640 sqm Tokyo VP Studio – 270° curved volume with 30m × 5m main wall

• Sony's European XR Studio – 90㎡ curved screen, 18m × 5m

• LG's Englewood Cliffs Virtual Production Studio – 25-foot, two-wall Micro LED display

Technical Specifications

Application Scenarios

Why Choose Our P1.5 Virtual Production Display?